In 2016 artist Ella Phillips worked with teacher Emily Evans and Year 1 at Robert Blair Primary School on the exhibition Imagine Islington. Ella supported Emily to design and deliver a 5 workshop programme for the classroom, inspired by Islington Musuem’s UV light therapy googles.
Ella also worked alongside the pupils in their classroom to create her own new artwork inspired by the goggles and the pupils.
Why we chose the goggles:
‘The U.V goggles and some intriguing photographs of U.V treatment therapy, first made me curious about this object. As I continued my research, I discovered the connections between this object and the Finsbury Health Centre. Not only a leader in free healthcare, this centre was also an architecturally innovative space designed by Berthold Lubetkin. I decided that I would like to explore two areas inspired by the object: how can we reimagine/ re-design our environment? And, what are the effects of light & colour on mood? Bringing together art and science, I wanted the project to embrace the idea of experimentation. This meant repeating activities to discover our favourite results. The class loved the freedom offered by experimentation and enjoyed creating stories about their favourite colors.
The class experimented with a wide range of techniques including creating colour, printing with UV and experimenting with colour and emotion. The final installation piece is the outcome of these explorations.
Each student painted a light bulb in their desired colours which have been used to create a light installation, transforming the space into a living painting.
Children mixed coloured light using gels, created their own paints with natural materials and used sunlight to create x-rays of objects from their classroom. I have collaged their x-ray ‘cyanotypes’ onto acetate, so that they can act as windows/ frames through which to view the exhibition.
By placing objects onto light sensitive paper, the spaces in between them turn blue. These x-rays have been collaged and printed onto acetate. These windows, printed with translucent blue traces are suspended at various points around the exhibition space. As you move between them, the room shifts between shades of blue.